The second of Lorcas great trilogy of rural dramas, Yerma is a concentrated blend of contrasting moods through which Lorca charts the increasingly destructive obsession of a childless young country wife, and probes the darker zones of human fears and desires. The plays rich mode of expression–a powerful combination of verbal, visual and auditory images and rhythms–is also geared to celebrating sexual attraction and fertility, creation and procreation.

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