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The Northamerican Metaphor: Film, Literature, And Society In The Chronicles Of Elisa Lerner


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When Lerner filters her critic through Hollywood, she readapted herself inside the masculine hegemonic speech without using the political speech of their like kind. This cinema mediation allows offering her point of view in the face of modernity, the feminine liberation, the Venezuelan society, and the international politics without being put apart from the circle she belonged at that time. While many of the intellectual people enjoyed a privileged situation own to their hegemonic situation, Lerners writing continued constantly and secretly emergent in the Venezuelan society.


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