Resumen del Libro
From the late 1950s until the 1980s, the German-born Venezuelan artist Gego (Gertrud Goldschmidt) made drawings, prints, three-dimensional works, hanging-net pieces (reticulareas), and wire constructions (drawings without paper) of extraordinary quality. Taken as a whole, these works illustrate the issue at the core of her production: the liberation of line from volume and form into space. Though little known outside of Latin America, Gegos work enjoyed a dialogue with twentieth-century artists and movements active not only in Venezuela, but also worldwide. In a series of essays examining her art in relation to Modernism, Informalism, kinetic art, and other tendencies, this volume–the second in the MFAH International Center for the Arts of the Americas series–situates Gego in her international context.