Calderón Y El Barroco

Resumen del Libro

Establishing the notion of reasonable foolishness and foolish reason as a generic principle of the old French farce, Boucqueys study examines the interdependencies among four key mimetic phenomena: the demented universe of the Feast of Fools festival, the genre of the farce, Bruegels representation of the world, and the euphoric comedies of triumphant madness created by Moliere. This reinterpretation of French farce according to the principle of a topsy-turvy world reveals the link of madness that unites the four modes of production studied, from textual linearity, through representational surface, to theatrical three-dimensionality. Of pluralist conception, the books eclectic critical apparatus draws readily on foundations as diverse as historicism, semiotics, structuralism, Foucauldian, theory, iconography, Derridean textualization, and etymology.