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Pioneering study that accompanied 1998 exhibition dedicated to the life and work of the enigmatic female painter who was the first Mexican woman to exhibit in Paris. Cabrera developed a career dedicated to teaching art to indigenous children, retiring eventually to anonymity. The essay by Tomás Zurian, complemented with a chronology by Carla Zurian, are first steps in deciphering the personality of this artist still shrouded in mystery –Handbook of Latin American Studies, v. 58.