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El Triptico Tolstoyano De Dona Emilia Pardo Bazan


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Emilia Pardo Bazans perception of Leo Tolstoy culminates in her short story trilogy: El conde llora, El conde suena, and El espiritu del conde. For Pardo Bazan, who popularized Russian literature in late nineteenth-century Spain, Tolstoy was initially a model realist but then was viciously critiqued in these three works. The present thesis shows that Pardo Bazan inherited the myth of Tolstoy created in Melchior de Vogues Le roman russe and adopted by the Russian anarchists in France and Spain for political propaganda. Investigation of Dona Emilias Tolstoyan trilogy and critical works reveals that her final bitter appraisal of the author of War and Peace, filtered through a naturalist framework, was the fruit of disillusionment with his social and religious thought. This disappointment stemmed from the Marxist critics who influenced Pardo Bazan and hastened to destroy the image of Tolstoy, as the Russian writer was a key ideological weapon for their anarchist rivals.


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